A Look At Degenerate Jewish “Holocaust Art”
Jews really are sick and twisted, especially when they attempt to express themselves artistically…
Vulvas fashioned out of chewing gum, ceramic vaginas, her own naked body – such were the materials of the first feminist artist to use vaginal imagery in her work—who happened to be a Jewish New Yorker named Hannah.
Born in 1940 in New York City, Hannah Wilke (see her work here) was a preeminent Jewish sculptor, photographer, performance artist, and painter who was the face of feminist art in the 1960s and ’70s.
The first series that brought her renown was called S.O.S. – Starification Object Series. For those photographs, she stuck “vulval” sculptures made from chewing gum to her own nude body. It aimed not only to deconstruct traditional notions of femininity but also, according to Wilke, meant to evoke the Holocaust: “As a Jew, during the war, I would have been branded and buried had I not been born in America.” […]
My God, what a sick, deranged woman. (((Wilke))) represented the quintessential radical Jewish pervert hellbent on upending and destroying White Western Christian civilization.
And, of course, the fake “Holocaust” is central to her “artwork” – the fake “Holocaust” is, after all, central to virtually everything Jews say and do in life. It’s their greatest weapon against not only Germany, but the entire White Western Christian world.
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